![]() "It takes you to that dark and lonely, spooky place, and that was really my inspiration for writing the main title."Īccording to McCreary, the absence of music throughout much of the series makes it even more important to create the proper tone with the opportunities available. "That, to me, was the little hook - that little thing that, whenever you hear it, it takes you to the series," he added. "You hear the main title music before the main title begins, so you know it's coming." ![]() "It repeats over and over, and in fact in the pilot episode, you start hearing it before the main title begins, and this is something that continues episode to episode," he explained. Instead, McCreary said he went for a simplistic approach - a repetitive, "simple" little line in the strings section. "I wanted to create something that would get stuck in your head, so that when you hear it you would think of 'The Walking Dead.' But I also didn't want to do a full-on theme song in the traditional sense like I did on the 'Human Target' series, for example." "I also wanted to create something really catchy," he recalled. I knew that we were all headed in the same direction." "And when I saw some of the designs that were coming in from the main title animators, it was exactly that: empty streets, abandoned buildings, broken-down cars, children's toys laying on the ground. "This is more about the emptiness," McCreary said of the show's tone.
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